On display now at the New York American Museum of Natural History through January 6, 2019.

Experience design for multiple exhibits in the 2018 AMNH Unseen Oceans show.  

Lighting direction, design, DMX programming, Brightsign integration and video playback synchronization.

Design and installation for the 180° projection wall.  Video playback system design.  Direction of permanent A/V system integration.  

Technical direction for audio/video execution for entire show. 

Determined to make his runway an interactive form of art, Alexander Wang opened his NYFW 2017 show to the streets of Brooklyn.  Celebs, retailers, and fans watched from the sidewalks as a party bus brought models to three remote runway locations. 

In collaboration with Matte Projects, multiple live videographers and camera feeds covered the entire event.  The camera feeds were sent remotely via 4G to a broadcast studio where we put together a line cut, combined in real time with glitch effects and custom lo-fi graphics to stylize the show for the over 80K viewers watching via Facebook and AlexanderWang.com.  

Director and Technical Producer

Technical direction for live video broadcasts for international speaking engagements.  Direction and production of broadcast satellite trucks, television production studios, live venue integration and in studio broadcasts.

Technical direction and production for a wide range of live corporate "TED Talk" style events in New York, London and Paris.  

Design and production of multiple fully automated in-house live broadcast studios.

OMR Germany Broadcast

Part of Absolut’s ‘Electrik Nights’ Campaign, and in conjunction with Smilebooth, photo booths at the event fed into a custom networked video server that dynamically arranged, scaled and animated the captured images in real time while incorporating them into Absolut’s branding on a 50-foot-wide video wall.  

This experience provided a direct visual connection between the party goer’s and Absolut’s branding.  Guests left the Photo booth experience with a physical copy of their branded pictures, digital animated GIFs sent via email and then would see their images animated on the branded video wall.  Here, guests would most often take a picture of themselves on the branded wall and post it to Instagram.  The end result was a rich interactive experience with multiple branded points of take away.

Encompassing 43 shows worldwide and ending on Coachella’s main stage, Shelter was a collaboration between producer/DJ’s Porter Robinson and Madeon.  Both artists felt the visual experience for this show would have to be highly stylized and perfectly paired with the music.  We worked closely with artists and animators to produce a dynamic, scalable and reactive visual show for the tour.  Working with our lighting and live production team we programed an immersive partially time coded visual experience revered by fans and music industry insiders world-wide

Our work with Porter Robinson began with his DJ debut at Coachella in 2012 where we formed a close and evolving relationship in the direction for his live visual experience. 

Porter’s full live show began with his critically acclaimed Worlds tour in 2014 where we produced a show that maintained Porter’s aesthetics while incorporating a variety of animators and content creators.  The show was edited and produced to sync and react dynamically with each varying performance. 

Virtual Self is Porter’s latest project, referencing his love of rhythm games and 2000’s techno nostalgia.  The tightly woven aesthetic is the result of a production collaborating with 3D artists and animators in New York and Tokyo and can be seen in Virtual Self live shows, music videos, and social media. 

Visual experience for the launch of Soul Cycle’s collaboration with Target.  In an exclusive Soul Cycle session riders participated in a multimedia experience that led them through dynamic landscapes and environments provided our immersive real-time custom graphics and visuals while the pop singer Rachel Platten performed live.

When Neon Indian took their new album on tour in 2016 they had help from Microsoft in creating a live visual component for their show.  Working with Volvox Labs we took 6 Kinect cameras and custom Touch Designer software on the road.  Each band member had a Kinect camera driving 3D visuals we then brought into Resolume.  This allowed for quick switching between generative visuals, custom content, and effects, for a dynamic and stylized show.  

Here and Elsewhere was a live VR experience broken out to four 22 foot projection screens, no goggles needed.  A musical performance from Vatican Shadow accompanied a 3D landscape created by David Lobser.  Built and operating in collaboration with Super Bright Studios.

Installation for the 2012 APA trade show in conjunction with Juice Pharma / Merck Pharmaceuticals.  

Trade show booth with reactive camera tracking based video projection.  Still water projected on a platform would react when attendees walked across the space. Consistent engagement fostered opportunity for on site brand ambassadors.

Video installation.  Collaboration with Christopher Mark Jones a Kingston, Jamaica native and fellow resident at the Rocktowa artist residency.  Chris creates furniture and sculpture from shipping pallets and we wanted to incorporate his sculptural forms into a video piece.  We filmed Chris sitting on each of the chairs and then later composited and projection mapped him back onto the actual chairs.  The end result was a subtle piece where two versions of Chris have a non-verbal interaction with each other.  The title is a play on words from the Bob Marley song “Duppy Conqueror”  (duppy is slang for ghost). “I leave a small ghost of myself in every thing I build and this piece pays homage to that” - Christopher Mark Jones.  

Interactive projection.  Installation involving projected imagery of a figure sleeping on a bed.  The installation allows for a viewer to lay in the bed alongside the projected figure.  The figure reacts and curls up next to the viewer.  If the viewer moves toward the figure, it moves away. If the viewer moves away, the figure moves toward them.  The projected figure is set to exlusively stay within the range of cuddling/spooning.  The installation speaks on the ideas of human intimacy, loss and loneliness.